Shelter by might and delight

September 30, 2013 at 4:00 am Leave a comment

We’re supposed to use words to describe things.

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Shelter is a game by Might and Delight. Might and Delight’s history is unknown to me beyond their last game P.I.D. Which was a disaster in some sense, but a compelling one in another. Shelter is a far more focused game. You are a badger mom. Now I know you just went out and bought the game based out that fact alone, but maybe we should discuss the mechanics?

You know that little grey baby at your side? It needs food. Your cubs will starve to death if not given enough food and that makes up a healthy portion of the game. Shelter is not a stress inducing game, what it does right is realize the potential of ambient play. It’s also really really linear, but the linearity ensures you don’t get lost. There are a few thankfully small sections were the anxiety bird descends and the play mechanics change to scurrying from cover to cover.

Creatively the game derives from nature documentaries, Disney films, and Metal Gear Solid. Mechanics include a well done night level, flash floods, and using brush to hunt foxes. The game is more than it’s parts by a long shot. It is propelled by a soundtrack that’s indolence and any meanderings capture the experience of a nature walk perfectly. The outdoors are meant to be relaxing, Shelter understands that.

When you’re in the wilderness thought often ceases. Nature still provides enough for the mind to see that our attention often shifts elsewhere, we become attuned to the asymmetrical ambience that surrounds us. Nature is a form of meditation and Shelter realizes this. The game is as charming as a nature walk. It reminds me of a 3 day hike I took into the Grand Tetons, the stillness of that horizon. With ambient play becoming so vast Shelter does something important: it doesn’t risk atmosphere for mechanics.

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    On another note I recently bought SMB2 aka Yume Kojo: Doki Doki Panic from the 3DS eshop and am enjoying it immensely. It got me thinking about platformers and the way they ended up going. Yume Kojo is not an inherently violent game, each and every critter can be chocked out of the way, playing as the princess you can politely put them down in another space. This creates an interesting tension because enemies require skill to be squashed. The game preserves a slightly more complicated ecosystem of ostriches, shy guys, ninjas, and ninnies. The game also has some interesting mechanics, things pulled up from roots include bombs, a watch that stops time, and a potion that makes a door and what with those doors anyways? Do the coins in the alternative dimension do anything? I collect them like rare gems Hoping they increase my score a bit. Yume Kojo is a lot like Quack Shot, it’s not necessarily lethal and it also makes riding enemies a breeze. It suggests a different place platformers could have gone to a less lethal and more constructive world. One where gender is a choice, and platforms are cosmopolitan accommodators. The vertical levels designs still give me the chills, those pauses as we adjust to the next free fall sections. I love this game even if it’s not as adrenaline pounding as Mario Brothers be. I want to make a spiritual sequel with horses and dragons and mice, a gravity system, an insane race to awesome. So many of these ideas need to be fleshed out, but instead we’re getting a 4 player 3D Mario that looks awful.

    Also have been playing this game a bit:

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    It took a little bit to get it and I won’t get in depth this early through, but the hype is worth it on this one.

    Entry filed under: my life through software. Tags: , , , , , , , , , , , , , , .

    Two things Comte de Lautréamont

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