Zero history

January 9, 2011 at 4:49 am Leave a comment

Pattern recognition continues to be my favorite gibson novel. Darkly mysteriois it caught the social malfunctions of the creative class while taking us on a very real quest. The follow up books in the series have inflated the characters to cartoons, and the apex of spook country was a major let down. Zero history is a combination of the two previous books thoughts. It commits the cardinal sin, somewhat unavoidable in gibson, of hurling a world that looks increasingly super human at us, part of what made pattern recognition work was the surprising humannesss of the scale followed by the surprise of the ending, spook country built to a largely dissapointing close, zero history’s finale is flawed its prep for milgrim’s exchange an eternity that ends up leading almost nowhere. It also ends with a clear build into the next novel in which hubertus bigend will obviously sprout wings and fight manga characters. Gibson doea continue his colloquial discussion of ideas, theories of branding and the military, addiction (gibson is still an addicting read), and of course the cleverness of a ceo able to buy out indie rock icons and then leverage their wuffie to find whatever he desirses, bigend’s manipilations are rather coy what he wants from milgrim is amother mater. Gibson’s portrayl of creative culture’s increasing abstracation from the lower class continues to climb or maybe it’s just the way he makes the pop cultural musings and lifestyles of our times seem so dire as if a really exclusive pair of secret brand pants could really provide some type of eureka a break through in urban theory that in turn would make somone rich, this is an author who sees pyschoanalysis as a tool as much as heliim balloons and custom made darts. Mr gibson thank you for your women. Loved heidi and the hotel. Ramble off

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in the absence of grapes Scantron ready

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