Archive for July, 2008
Does anyone else find that if you listen to Maroon 5’s won’t go home with out you, the lead singer’s semi-Peter Gabriel warble begins to feel like a chemical fire headache burning in the back of your head? Anyone else think this might be intentional because they want you to buy more tracks? As mush as that the carbonation and salt in soft drinks make us slurp all the more, building over tired pop songs with a slightly twist brings the familar before we’re reminded of the exhaustation that lead us to give up on those dead ends long ago (no offense to Mr. Gabriel who made some fine pop albums in his time).
Anyway, I’ve been teaching my students songs lately and they’ve voted in a bevy of crunk-hop (Low by Flo-rida), Linkin Park, and of course Maroon 5. It’s amazing how hardcore these market research teams are these days, I mean Linkin Park’s Numb about nails the rebellious teenager thing as much as that Britney’s Oops.. I did it again was all about ya know, turning guys on accidentally, unintentionally, etc. I have a friend in L.A. whose roommate apparently sits around writing these things all day.
Park’s Numb at the very least seems to be a kinda paeon to Lacan’s idea of moving from the Imaginary to the Symbolic where ya know we decide our parents suck and move on to grossly over simply and reference an idea I’m not really the familar with. It’s promoting an agenda of psychological development that previous generations declared in form, but putting the ideas down lyrically. While ya know, glam rock separated itself from the hippies giving kids new identities to run around in, Linkin Park sticks with the tired and true hardcore-alterna sound while merely singing about the type of difference that used to be inherent.
I’m glad to see that the major labels have at least valued generational difference enough to conduct some market research into the average angry teenager and then proceed to co-opt them with rehashed teenage existentialism. It is perhaps telling that while a few plays of Police like Maroon 5 pop tire me, I have never really cut that bond of identification with my parents and hence Numb continues to have that subtle thrill and the glory of ya knowing breaking off from the mothership. Regardless, I am impressed as always with how well these people know their customers, as they track my every pirated mp3 play of these songs video windows media player, profiling my students’ basic personality types, and then making eerily accurate predictions of what next year’s generation will enjoy, although I get feeling they’ll be strangely like the last one, after all new bands cost money and copyright extension created classic radio so why not jerk off another generation for another year or so?
Sadie Benning video, Haven’t watch yet.
about nails it, money determines limits of identity.
the olde school? (note: wordpress still doesn’t allow youtube videos apparetly despite using code)
Yeah, violence is cool in games, but as games reach out to a new audience through either Nintendo’s innovations i.e. Animal Crossing, the Brain Trainers, or even PS3’s Pixel Junk the audience of games is growing into the spectrum of the population that probably won’t want to play violent games all the time or at all. The people buying games are having a greater say in how games look and feel:
My point being, the era of the shooter as the main avenue of games has pretty much already come (cellphone games outsell the latest pc games these days), but the debate over violence in games could in reality be one of marketplace. The action and horror games that comprise video games major genres don’t appeal to all the people buying Brain Trainers and please note this isn’t entirely a question of gender many women do play FPSes and the survival horror games, it’s that avenues are opening up. How long are we from non-violent games that are bestsellers and will they actually have good stories?
Action games will always sell as much as that science fiction flicks rule the charts, but how will the abundance of different genres and the demands of those viewers effect a previously untouched genre?
on how democracy oppresses differing opinions
it matches the mood of your party
it’s interesting how we once read pulp science fiction, but now receive speculative futures in 3D as if sight somehow makes them more real.