Archive for March, 2005
Proving that minimal techno doesn’t necessarily have to rule Cologne’s world Heiko Voss of the Firm imprint makes kinda eighties influenced pop churned with some house but primarily a kinda southern soul and electro-funk you’d expect from Beck. The Kompakt cataloque hit’s it about right:
MAKES YOU GO DOWN ON YOUR KNEES…HEIKO VOSS, THIS TIME WITHOUT HIS PARTNER SCHAEBEN, COMES UP WITH GREAT, LONGING, FETZIG DISCO-POP TUNES.
Clips at http://www.kompakt-mp3.net/
p.s. anyone else getting errors from blogger ever post?
Chicago based and Chocolate Industries main man Caural has some mp3s up here.
this one should have been posted awhile back. Traum’s new bad boy is one Nathan Fake who makes I guess ambient techno with a slightly cologne feel to it. Imagine early Black Dog 12″s twisted and mutilated by tech-ee bleeps and drops. MP3s and such
at his website
my computer randomly flips between windows some times. Is it a vrius? or just really flacky ram? Who knows, but these 2 hit me enough to be worth posting. Rummage Through The Crevices has an mp3 from the latest Sublime Frequencies release Is it just me or is world music making it on the college circuit these days? I see Frequences tracking everywhere and Alan Bishop has a nice show in SF pretty soon:
For those of you in the area, I hope you can make this special event.
SUBLIME FREQUENCIES PRESENTS:
NIGER: Magic and Ecstasy in the Sahel
(50 minutes/Color Video)
Sublime Frequencies Archives #3
(40 minutes/Color Video)
Question and Answer with Hisham Mayet/Alan Bishop following the films.
A non-narrated assault on the senses in the patented Sublime
Frequencies ethno-collage style.
Tuareg Electric Guitar trance rock, Bori cult dance ceremonies, Fulani
Folk, and Roadhouse Gospel Rave-ups are some of the segments included
in this celebration of life in the Sahel region of Africa.
Filmed by Hisham Mayet in December of 2004 on location in NIGER.
Opening this 2 hour program will be an exclusive glimpse into various
mysteries captured in Southeast Asia by Sublime Frequencies Collective.
SATURDAY and SUNDAY!!!!! (2 Special Events)
Saturday April 2nd
HEMLOCK TAVERN (1131 Polk Street/San Francisco)
10 PM $8 cover and they have a SMOKING ROOM!
Master Musicians of Bukkake (from Seattle)
Sequel 4000 (Comedy Sketch group)
Pusserâ€™s Phinn (Southeast Asian Molam and beyond)
A Film By Alvarius B. “Jazz Classics”(Javanese Puppets GO Avant
Jazz!!!!) 30 minutes
Sunday April 3rd
An Evening with Sublime Frequencies
Yerba Buena Center for the Arts
701 Mission Street SF CA 94103 http://www.ybca.org
SPECIAL SCREENING TWO SHOWS: 5:00 and 8:00 PM
Niger: Magic and Ecstasy in the Sahel
(the PREMIER of this upcoming DVD in abbreviated form/ 55 minutes)
Sublime Frequencies Archives #3
(film collage from SE Asia/ 35 minutes)
2 SHOWS: 5:00 & 8:00 pm â€¢ Screening Room
$10 regular $9 YBCA Members, seniors & students
Hisham Mayet/Alan Bishop in person for Q & A.
DO NOT MISS THIS!!!!!
Speaking of Taureg rock these seem to be the dudes breaking out of it.
BTW locally saw Davey Williams and La Donna Smith play the other night. The two are still in nice form and La Donna’s kept the The Improvisor going online.
First, Luaka Bop’s new comp has been out for awhile now. There’s so many of these African comps I was really hoping Luaka’s take would be excellent but it pars not to Antille’s 1984 comp of African-rock or really any of numerous comps. And for that matter why do all of Luaka Bop’s comp rely on the concept of american musical forms are adapted by foriengs? Brazilian-rock, African-pysch, Zap-Mama, etc? There has to be a new musical form invented by another country were over looking (count for u.s.: rap, techno, blues, jazz, country, soul, funk, & rock) for jamica dub, reggae, dancehall middle east: lot’s of stuff, africa: high-life, but with the exeption of Jamacia’s exports (expediated through the u.s. by enterprising jamacins in new york) most of these musical forms never really hit the u.s. I’d kill for a good comp of something I wasn’t expecting. The video though is great.
Oh yeah and just for a day has an interesting mini-bio of Danny Elfman surprisingly his first solo album has a few Calling out of context like moments.
Brazilian indie zealot Ana Garcia has her fist article in The Wire.
Ana of course runs Brazil’s Coquetel Molotov a magazine for new music and also a festival in Recife, Brazil.
2 years ago the American Association of University Professors (who are qouted in the Academic Bill of Rights) spoke out against it:
“The past year has witnessed repeated efforts to establish what has been called an “Academic Bill of Rights.” Based upon data purporting to show that
Democrats greatly outnumber Republicans in faculty positions, and citing official statements and principles of the American Association of University Professors, advocates of the Academic Bill of Rights would require universities to maintain political pluralism and diversity. This requirement is said to enforce the principle that “no political, ideological or religious orthodoxy should be imposed on professors and researchers through the hiring or tenure or termination process.”1 Although Committee A endorses this principle, which we shall call the “principle of neutrality,” it believes that the Academic Bill of Rights is an improper and dangerous method for its implementation. There are already mechanisms in place that protect this principle, and they work well. Not only is the Academic Bill of Rights redundant, but, ironically, it also infringes academic freedom in the very act of purporting to protect it.”
The bill was attempted to pass in Colorado.
David Horowitz had this to say
oh yeah David has a group that’s trying to get Student Bodies to embrace it